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21. Rachel Griffin Rachel Griffin

22. view 11 view 11 The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

23. page 10 page 10

24. page 4 page 4

25. No. 5, Untitled No. 5, Untitled

26. view 12 view 12 The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

27. Oregon Fallen Firefighters' Memorial Oregon Fallen Firefighters' Memorial

28. page 1 page 1

29. page 11 page 11

30. page 5 page 5

31. Water Reflection Water Reflection

32. view 13 view 13 The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

33. Oregon Fallen Firefighters' Memorial Oregon Fallen Firefighters' Memorial

34. page 2 page 2

35. 1990 Powell exhibtion list 1990 Powell exhibtion list

36. page 6 page 6

37. One Ring Circus One Ring Circus

38. view 14 view 14 The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them."

39. Oregon Fallen Firefighters' Memorial Oregon Fallen Firefighters' Memorial

40. 1980 Boles exhibition list 1980 Boles exhibition list
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